Music Flux
Ideas, Resources, Discussions on the Evolution of Music, Music Business, and Music Technology.
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Music Data Confessions of a Tagaholic
Bandcamp added artist/song tagging to its slew of features yesterday, and hopes are high that more social music features are in store. As a self-professed tag-a-holic I’m pretty stoked about the news, and especially so because I had emailed them suggesting a tagging feature. Bandcamp artists can now list themselves in up to five genres, they can add their location, and they can add specific traits to individual tracks in the form of tags.
New Paramore Hulu Channel Reaches Brand New Eyes
Paramore + Hulu = Awesomeness. A hi-fi artist channel that rocks. Paramore outperforms both on and off the stage. Why do I like Paramore? They are kick-ass live performers. But I’ve never seen them in person. Hulu delivered them to me last year and now again with the brand new Paramore channel at hulu.com/paramore
Emotional Attachment To Music
Terry McBride—CEO of Nettwerk—talks here about imagination. He argues that with music, context trumps content because music creates emotional bookmarks in our mind. Simply, the song is an emotion. These emotional bookmarks are significant because they enable us to travel backwards in our memories to when we experienced the music. Consumers are in control of the music industry, and access rules.
Fans Take The Power Back—RATM’s Facebook-Induced No. 1
Bill Burton: “Sometimes we limit ourselves by what we believe we can do. We don’t even start. We don’t even try.” Burton delivered this powerful point in his TEDx talk last week, called How To Have A Christmas Number One Single, where, citing RATM’s rise to UK Xmas no. 1, he exemplified the boundless force of social media, and, through a storytelling memorization activity, he demonstrated the limitless—but often unrealized—potential of the human mind.
Social Rocks. Mobility Rolls. Music Trends 2009–2010.
Pandora is blowing music consumption off the grid. Myriad digital choices are sending audio junkies into sensory overload—music wants to be everywhere. The stage is lit—music has always been social, and the web continues to make it even more so. Communication is on the rise.
Music Website Heat Map
Based on estimated traffic data from compete.com, this visualization compares November 2009 website visits for 27 popular, legal, music stream-or-download destinations. The heat map is scaled—larger map areas represent higher website traffic. Green indicates positive growth in 2009. Red indicates negative growth in 2009. Hold your mouse over each section for stats on each site.
VEVO Launch Tonight—Do You Viva or Veto?
The major labels’ new video site Vevo is due to launch tonight. A potential upside is that Vevo’s backend is powered by Google and YouTube technology, which may make it easier to integrate social features. It might also fuse somehow with the Google music search. The potential downside is that it could be fueled by greed more than music.
Lala, Apple, Mobile Music, and Cloud-Based Streaming (Part 1)
Tweets about Apple acquiring Lala have been flooding Twitter for 3+ days now. A number of sources have provided news and analysis on the acquisition. Personally I think Apple aims to move iTunes to the web in an effort to control mobile cloud-based music streaming via iPhones and iPods. Mobility is paramount, and I think that buying Lala was a sound move for Apple.
