Mediazoic Panel | CMW 2011 | Video
“In the corresponding rush to give today’s music fans what they want when they want it, the lines between stakeholders have become increasingly blurred. Even with business models evolving though, effective tools for music discovery, distribution, promotion, and curation remain an absolute necessity.” –Greg Nisbet Canadian Music Week 2011′s Mediazoic Panel about “how different parts [...]
Collaborative Consumption…P2P Cars…Access.
Rachel Botsman points out four drivers that are causing a fundamental global shift away from 20th century hyper-consumption (ownership) towards 21st century collaborative consumption (access). Sharing is “second nature” to digital natives—and it’s not just about files.
New Paramore Hulu Channel Reaches Brand New Eyes
Paramore + Hulu = Awesomeness. A hi-fi artist channel that rocks. Paramore outperforms both on and off the stage. Why do I like Paramore? They are kick-ass live performers. But I’ve never seen them in person. Hulu delivered them to me last year and now again with the brand new Paramore channel at hulu.com/paramore
Emotional Attachment To Music
Terry McBride—CEO of Nettwerk—talks here about imagination. He argues that with music, context trumps content because music creates emotional bookmarks in our mind. Simply, the song is an emotion. These emotional bookmarks are significant because they enable us to travel backwards in our memories to when we experienced the music. Consumers are in control of the music industry, and access rules.
Censorship and Media In An Expanding Internet Population—Do You Feel Censored On The ‘Net?
Blocking sites = blocking progress. I’m American. It’s hard to imagine über-restricted Internet surfing. In the U.S. internet censorship does exist in workplaces, libraries, and schools but U.S. censorship is minimal compared to Chinese censorship. Censored sites in China include wikipedia.org, amnesty.org, nasa.gov, digg.com, bbc.co.uk, cnn.com, guardian.co.uk, facebook.com, flickr.com, tumblr.com, wordpress.com, youtube.com, and—WTF—even disney.com is censored.
Lala, Apple, Mobile Music, and Cloud-Based Streaming
Tweets about Apple acquiring Lala have been flooding Twitter for 3+ days now. A number of sources have provided news and analysis on the acquisition. Personally I think Apple aims to move iTunes to the web in an effort to control mobile cloud-based music streaming via iPhones and iPods. Mobility is paramount, and I think that buying Lala was a sound move for Apple.
