Browse: Home / artist-fan relationship
By Ryan Van Etten on 01/08/2012
You may know that in the A-side of 2011 I had the chance to do the web design for a project of massive value to musicians: the web version of Bas Grasmayer‘s thesis about marketing music through non-linear communication. He studies progress in music business since the MP3 and develops the ecosytem model for marketing [...]
Posted in Music, Music Flux, News, Visual | Tagged artist-fan relationship, Bas Grasmayer, Bas thesis, CwF (connect with fans), Deadmau5, direct-to-fan, Ecosystem Model, free culture, graphics, Internet Generation, Kevin Kelly, marketing, music discovery, MusicBiz, Non-linear communication, poster, research, social music, tribes, web design |
By Ryan Van Etten on 04/18/2011
“In the corresponding rush to give today’s music fans what they want when they want it, the lines between stakeholders have become increasingly blurred. Even with business models evolving though, effective tools for music discovery, distribution, promotion, and curation remain an absolute necessity.” –Greg Nisbet Canadian Music Week 2011′s Mediazoic Panel about “how different parts [...]
Posted in Music, Music Flux | Tagged access vs. ownership, Alan Cross, artist-fan relationship, business, business model, Canadian music, change, CMW (Canadian Music Week), CMW 2011, content, context, curating music, data, digital valets, Greg Nisbet, Jake Gold, Jeremy Fisher, legal vs. illegal, Mediazoic, micropayments, monetization, music discovery, music industry, music value, MusicBiz, radio, Spotify, streaming, Terry McBride, tribes, video |
![Music Business Driven by Data [Infographic]](http://img.virtualmusic.tv/thumbs/music-business-driven-by-data-150.png)
By Ryan Van Etten on 04/13/2010
In today’s fluxing music economy of freeconomics, ubiquitousness, and abundance, musicians are leveraging data and metrics tools to drive their careers. What answers can digital data deliver for musicians? Who… What… When… Where… Why… How…
Posted in Music, Music Flux, News, Popular, Visual | Tagged analytics, artist-fan relationship, business, data, data-driven music, digital, direct-to-fan, infographic, marketing, metrics, Music, music industry, MusicBiz, tips |
By Ryan Van Etten on 02/10/2010
Paramore + Hulu = Awesomeness. A hi-fi artist channel that rocks. Paramore outperforms both on and off the stage. Why do I like Paramore? They are kick-ass live performers. But I’ve never seen them in person. Hulu delivered them to me last year and now again with the brand new Paramore channel at hulu.com/paramore
Posted in Editorial, Music, Music Flux, News, Reviews | Tagged access vs. ownership, Andrew Kendall, artist channels, artist-fan relationship, awesomeness, band, bands, brand new eyes, content, deals, EMI, energy, engagement, fans, generation, hulu, hulu channel, Internet Generation, live music, music review, MusicBiz, musicians, Paramore, partnerships, performers, performing, pop-punk, punk, rock/pop, social media, social music, storytelling, streaming, television, The Final Riot!, timeline, ustream, Vevo, video, WMG, youth, YouTube |
By Ryan Van Etten on 02/01/2010
Terry McBride—CEO of Nettwerk—talks here about imagination. He argues that with music, context trumps content because music creates emotional bookmarks in our mind. Simply, the song is an emotion. These emotional bookmarks are significant because they enable us to travel backwards in our memories to when we experienced the music. Consumers are in control of the music industry, and access rules.
Posted in Music, Music Flux, News, Popular | Tagged access vs. ownership, app stores, Apple, artist-fan relationship, arts, behavior, business, cloud, consumption, content, context, copyright law, crowdsourcing, digital, digital valets, downloads, emotion, emotional attachment, imagination, iPhone, ipod, live music, music industry, music ventures, MusicBiz, Nettwerk, P2P, positivity, psychology, pull, recession, revenue, smartphones, social music, Spotify, streaming, TED, TEDxVancouver, Terry McBride, venture capital, video |
