FL Beat It: why FL Studio is the best deal in the house.
Image-Line, maker of my favorite beat-making software, FL Studio a.k.a. FruityLoops, have liberated their 50% off sale. I’ve had the producer version since 2007, but I wanted to give you all the heads up on the deal. The best part about buying direct from Image-Line is that you get free upgrades for life, which is [...]
The Making of SLeuX: Interview with Producer/Guitarist Chris Dinardo
The building used to be a bank. But in December, 2004, when I first met Chris Dinardo, the sign on its door read “SMR Studios.” Chris, and two of his hard-rock bandmates, from DownNeck had opened the rehearsal-recording space there in Garfield, NJ and were running their own label, Saturday Morning Records. I discovered the new studio via Craigslist—
Loudness Wars: Maximum Control?
Music consumers are accustomed to controlling volume knobs, but what about dynamics? Dynamic range is compressed in the mastering process in order to boost the overall loudness. In this video, Australian students explain the issues of the loudness wars—they ask for a world where listeners can adjust the dynamic range on their favorite tunes based on the needs of their listening environment.
Pop Music Causes Traffic Jams
You’re driving—what’s the first thing you do when you hear a siren? You take your foot off the gas, you (hopefully) scan your mirrors, and you might even put your foot on the brake, right? But there’s no police, no ambulance, no fire truck, no motorcade, and no Polish parade. You’ve realize you’ve been duped by a lame sound effect in the latest Z100 hit.
VideoSong Schooled The Video Star
VideoSong is medium defined by Jack Conte with two rules: 1. What you see is what you hear (no lip-syncing for instruments or voice). 2. If you hear it, at some point you see it (no hidden sounds). Jack is one half of the indie music duo Pomplamoose, who chose video as their social medium of choice largely due to the magnetic attraction emitted by YouTube.
Bay Area Beatmaker Freematik Makes Album with iPhone
Freematik (Tom Freeman) is a San Francisco-based hip hop music producer. But outside of his fully-equipped studio, he is armed only with his iPhone and imagination. For months he’s been experimenting with apps that let him make beats and riffs on the go. The iPhone’s limitations forced him to improvise and he found himself feeling “more creative than he had in while.”
