By Ryan Van Etten on 07/27/2010
Mr. Owl, How many clicks does it take to get to the rock n’ roll center of a retail mp3? Let’s find out. A One… A two-HOO…too many! Mr. Owl just BitTorrented right in because it was easier than buying it on iTunes. It took less clicks. It took less clicks. Are you testing your fans’ user experience?
Posted in Design, Music, Music Flux | Tagged Ariel Hyatt, clicks to content, consumers, consumption, content, digital sharing, Disc Makers, Eric Garland, fans, free, Futurehit.DNA, Google, iTunes, Jay Frank, Mr. Owl, New Music Seminar, NMS NYC 2010, OneBox, p2p, package deals, ripping and burning, strategy, streaming, tips, Tom Silverman, Tony Van Veen, UX, What I Learned at NMS10
By Ryan Van Etten on 04/29/2010
Mac computers rock, but I’m no apple addict. When I talk on my iPhone 3G I feel like my head is melting, and even though iTunes launches every time I sync, I’ve never purchased music on iTunes. (I have downloaded apps.) The bottom line of this microwavable disclaimer is that I’m not your average music consumer. Apple continues to create a major dependence on iTunes through their mobile products, and I don’t think that anything is going to “kill” iTunes without a war. iTunes is the 7-Eleven of media—
Posted in Editorial, Music, Music Flux | Tagged 7-11, adaptation, affinity, Apple, behavior, business, change, cloud, consumers, consumption, convenience, generation, Grooveshark, integration, iPad, iPhone, ipod, iTunes, iTunes killer, Lala, last.fm, Mark Mulligan, mobility, Music, music industry, social music, spotify, stats, streaming, youth
By Ryan Van Etten on 02/10/2010
Paramore + Hulu = Awesomeness. A hi-fi artist channel that rocks. Paramore outperforms both on and off the stage. Why do I like Paramore? They are kick-ass live performers. But I’ve never seen them in person. Hulu delivered them to me last year and now again with the brand new Paramore channel at hulu.com/paramore
Posted in Editorial, Music, Music Flux, News, Reviews | Tagged access vs. ownership, Andrew Kendall, artist channels, artist-fan relationship, awesomeness, band, bands, brand new eyes, content, deals, EMI, energy, engagement, fans, generation, hulu, hulu channel, Internet Generation, live music, music review, MusicBiz, musicians, paramore, partnerships, performers, performing, pop-punk, punk, rock/pop, social media, social music, storytelling, streaming, television, The Final Riot!, timeline, ustream, Vevo, video, WMG, youth, YouTube
By Ryan Van Etten on 02/01/2010
Terry McBride—CEO of Nettwerk—talks here about imagination. He argues that with music, context trumps content because music creates emotional bookmarks in our mind. Simply, the song is an emotion. These emotional bookmarks are significant because they enable us to travel backwards in our memories to when we experienced the music. Consumers are in control of the music industry, and access rules.
Posted in Music, Music Flux, News, Popular | Tagged access vs. ownership, app stores, Apple, artist-fan relationship, arts, behavior, business, cloud, consumption, content, context, copyright law, crowdsourcing, digital, digital valets, downloads, emotion, emotional attachment, imagination, iPhone, ipod, live music, music industry, music ventures, MusicBiz, Nettwerk, p2p, positivity, psychology, pull, recession, revenue, smartphones, social music, spotify, streaming, TED, TEDxVancouver, Terry McBride, venture capital, video
By Ryan Van Etten on 12/31/2009
Pandora is blowing music consumption off the grid. Myriad digital choices are sending audio junkies into sensory overload—music wants to be everywhere. The stage is lit—music has always been social, and the web continues to make it even more so. Communication is on the rise.
Posted in Apps, Editorial, Gaming, iPhone Apps, Music, Music Flux, Popular, Visual | Tagged Activision, Amie Street, analysis, AOL Music, Apps, blip.fm, ccMixter, chart, collaboration, comparison, consumption, Creative Commons, deezer, Delicious, Digidrummer, DJ Hero, DJing, EA Mobile, emusic, facebook, friends, games, gigzee, Grooveshark, Guitar Rock Tour, Harmonix, Hip Hop All Star, Hype Machine, iheart radio, iLike, Imeem, Indaba Music, indie, influencers, iPhone, iTunes, jamble music mashups, jamendo, jamglue, Lala, last.fm, Looptastic, mashups, mobile, mobile music, mobility, MOG, music gaming, music industry, music sites, musicians, musicovery, MySpace, Napster, networks, NIN, NLog Synth, pandora, predictions, project playlist, PureVolume, recommendation engine, ReverbNation, Rhapsody, rhythm games, Rock Band Network, scratching, Second Life, seeqpod, sensory overload, Sirius, Slacker Radio, social intelligence, social media, social music, songza, soundcloud, spotify, stats, streaming, Tap Tap Revenge, Tapulous, The Beatles Rock Band, thesixtyone, tinysong, trends, twisten.fm, ustream, Vevo, video, Virtuoso Piano, visualization, we7, your friends are your filter, YouTube
By Ryan Van Etten on 12/08/2009
The major labels’ new video site Vevo is due to launch tonight. A potential upside is that Vevo’s backend is powered by Google and YouTube technology, which may make it easier to integrate social features. It might also fuse somehow with the Google music search. The potential downside is that it could be fueled by greed more than music.
Posted in Discussion, Music, Music Flux, News | Tagged Abu Dhabi Media, advertising, CBS Radio, content, deals, EMI, entertainment, Fatboy Slim, Google, last.fm, launch, major labels, media, money, music industry, music sites, partnerships, Sony, streaming, Universal, veto or viva, Vevo, video, YouTube
